REVIEW: Titans Season 4 Episode 10 Blends Teams and Tones

After taking a fun-filled detour through the Red and the wider DC multiverseTitans Season 4 focuses back on the continuing battle against Brother Blood and Mother Mayhem. Titled “Game Over,” the episode takes the typically timid Sebastian Sanger and marks his unabashed transformation into a supervillain as the Titans regroup to stop him. Benefiting from a tighter focus than the first couple of episodes since Titans‘ midseason return, “Game Over” lays the foundation for the season’s impending showdown and conclusion.

As Gar Logan finds himself trapped in a strange location with the Doom Patrol, he scrambles to find a way to rejoin his friends to help them against the Church of Blood. Meanwhile, Conner Kent has plans of his own on how to deal with Sebastian and Mayhem, taking the initiative to approach Sebastian with an offer he can’t refuse. However, Conner quickly learns he has underestimated his unholy opponent as Sebastian takes advantage of Conner’s newly acquired corporate resources to target the world and outmaneuvers Superboy faster than a speeding bullet.

“Game Over” is written by one of the show’s producers, Bryan Edward Hill, who had previously written the more horror-driven sophomore episode of Season 4, among others in preceding seasons. Just as before, Hill wears his cinematic influences on his sleeve while organically incorporating them into the wider story. Hill expands upon the inspirations he’s drawing from for “Game Over,” not just leaning into supernatural horror but also corporate wheeling-and-dealing along with the absurdist tones that the Doom Patrol is known for.

“Game Over” is written by one of the show’s producers, Bryan Edward Hill, who had previously written the more horror-driven sophomore episode of Season 4, among others in preceding seasons. Just as before, Hill wears his cinematic influences on his sleeve while organically incorporating them into the wider story. Hill expands upon the inspirations he’s drawing from for “Game Over,” not just leaning into supernatural horror but also corporate wheeling-and-dealing along with the absurdist tones that the Doom Patrol is known for.

The sequences without the Doom Patrol go light on the action, but there is a genuine sense of escalation as the series races towards its rapidly approaching finale. Joe Morgan has been oscillating between his moral alignment for the better part of the season, so it’s nice to finally see him cast his lot where he definitively stands as the show effectively tightens its narrative focus. Similarly, the Conner Kent heir to Lex Luthor storyline is beginning to inevitably shift back to Conner working with the Titans, bringing a welcome end to this brief heel turn that has defined the character for a significant part of Season 4.

There are only two episodes left in Titans, and the team is finally back together and ready to take on Brother Blood as Sebastian’s true colors begin to emerge and he leans into his hellish destiny. Looking back, the season would’ve benefited from a quicker pace and streamlined scope, but things like a guest appearance by the Doom Patrol serve to remind fans how fun the show can be when it introduces solid subplots. Hopefully, the show will continue to build momentum as it moves into the ultimate confrontation while satisfyingly resolving any lingering plot threads along the way.

Developed for television by Akiva Goldsman, Geoff Johns, and Greg Berlanti, Titans releases new episodes Thursdays on HBO Max.